Hiro is a something of a tech kid prodigy but, having just showcased the merits of micro bots, finds someone else has decided to use them for evil. With the help of an unlikely big white health robot called Baymax and a bunch of enjoyably quirky sidekicks, Hiro takes on the forces of evil in an effort to save the day. A fun film with some good gags, great robots and swell animation.

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Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

The Assassin travels through a nightmare underworld of tortured souls, ruined cities and wretched monstrosities forged from the primordial horrors of the unconscious mind of Phil Tippett, the world's preeminent stop-motion animator.

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A CGI animated spin-off of the movies of the video games finds us seven years on from the Raccoon city tragedy, but you can't keep a good virus down and the sinister Umbrella Corporation's genetic mutation rears its virulent head once more: Can Leon and Claire stop it… again? find out more...

Wallace and Gromit's latest entrepreneurial enterprise stems from the town's obsession with growing prize vegetables, apart from frost (and the chance that their neighbours may grow a bigger marrow) their only fear is the ravenous common rabbit and thanks to Wallace's technical knowhow the fearless duo are making a killing as humane pest controllers. Unfortunately an invention too far inadvertently creates the super rabbit, a monstrous beast with an appetite that knows no bounds. There is a mean find out more...