Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

In an isolated spot in the Nevada desert people and cars start getting sucked down into the ground with little bits being regurgitated, so what's going on? It seems like mutant man-eating worms are on the loose. Vastly superior to the fifties B-movies of the same genre, highlights include a survivalist couple determined to put their cache of heavy weaponry to some use, and the visceral special effects......you can almost smell the decaying flesh! find out more...