Dr Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr Pretorius, kidnaps his wife, Dr Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster. What distinguishes the film is less its horror content, which is admittedly low, than the macabre humour and sense of parody. Strong on atmosphere, Gothic sets and expressionist c find out more...

Still spooky after all these years this superb Ealing chiller is still the best example of a portmanteau tale. Five guests in a country house relate their tales and the film moves into nightmare territory. Watch it with a friend! find out more...

This classic piece of early silent cinema is noted not merely for its dramatic camerawork and cast of thousands but also for its contribution as a cinematic template, particularly in the genre of horror. Set in 16th Century Prague, a monstrous creature of Jewish myth is unleashed by a Rabbi to save his people from anti-Semitic legislation; unfortunately for all concerned The Golem's taste for destruction is not sated by the demands of his master, and so begins an unstoppable rampage. find out more...

A father is haunted by the death of his young child. Omens point to disaster and hallucinations predict the future as this wonderful atmospheric film moves to its disturbing climax. Shot in the beautiful city of Venice and based on the book by Daphne du Maurier.

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Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

Stunningly filmed in black and white, this classic slice of surrealist cinema is both touching and terrifying. A doctor, tortured beyond sanity after disfiguring his only daughter, sets out to give her back what he has taken away, at the expense of a succession of suitable young donors. A darkly disturbing marvellous movie. find out more...

Now regarded as a classic, this is the first Dracula film that Hammer Horror made. Bits such as the famous opening shot with the menacing shadow of Lee gliding down the stairs to emerge as a crisply charming aristocrat, still look excellent. Required viewing for horror buffs. find out more...

The original 1953 classic has a suitably sinister Vincent Price going that extra mile to ensure the realism of his wax effigies. Creepy, camp and kitsch – it's wonderful. Check out the youthful Charles Bronson! find out more...

Seminal vampire film, the first to be based upon the Bram Stoker tale. An estate agent's clerk from Bremen embarks on a journey to Orlock's castle, where a client of his resides. On arrival, the full horror of the inhabitants confront him. Wonderful imagery and direction. Imitated but never equalled. find out more...

A weird story, based on legend, about a mother and her daughter-in-law who survived in times of hardship by murdering Samurai and selling their armour to buy rice. A wonderfully strange and visually striking Japanese folk tale, unusual in itself, but also a beautiful and detailed character study. find out more...