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Certification18 Our Rating

Let's be honest, you either love or hate cinema's infamous enfant terrible, Lars von Trier. Those of you who love him you will find ‘Antichrist' his most entertaining and beautifully orchestrated work to date. Layered, witty and wryly tongue-in-cheek at every turn, ‘Antichrist' is brutal, honest and intelligent in both its observation of human emotion and in its exploration of a life riddled with love, loss and psychosis. Those of you who hate him however (and for newcomers who aren't familiar w find out more...
POPCORN (1991)

Certification15 Our Rating

A 'Leatherface' type murderer who wears other people's faces, kills at an all-night horror-thon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes it's really Lanyard Gates, a crazed film maker who killed his family live on stage fifteen years ago. And now he's back to kill his daughter, Sara, who is believed to really be Maggie. 

 

Superlative horror that blends great diy special effects, cinephilia and frights with aplomb. AN find out more...

TEETH (2007)

Certification15 Our Rating

A genre defying little oddity from writer/director Mitchell Lichtenstein that follows the story of Dawn, the teenage spokesperson of a high school chastity league, whose burgeoning sexuality reveals a unique (and voracious!) anatomical anomaly. find out more...

Certification18 Our Rating

A puritanical Scots detective goes to a Western Scottish island to investigate the alleged disappearance of a young schoolgirl. An outsider in a pagan Celtic world he gradually begins to uncover a web of medieval superstition and pagan worship. A highly recommended gothic horror film. Give it a go !!!!!! find out more...

Certification18 Our Rating

Set against the background of the English Civil War, this tale of the violent persecution of alleged witches by the eponymous central character is a masterpiece of 60's British cinema. Excellent performances, (especially Vincent Price's), complement evocative use of scenery. One point of interest is the changes in film stock, which makes the film appear redder at the end than at the beginning, a deliberate ploy on behalf of the director who uses the deepening crimson to symbolise the story's find out more...