Polanski has a go at the film noir detective thriller, very bleak, very twisted and very menacing it is to. Nicholson plays a private-eye in pre-war LA who is hired to pursue an adultery case, but finds himself embroiled in a complicated murder investigation. find out more...

Years of police work have taught Detective Finlay that where there's crime there's motive. However he finds no usual motive when investigating a man beaten to death, this man was killed because he was a Jew. "Hate", Finlay says, "is like a gun." A landmark film noir nominated for five Academy Awards, including Best Picture. Edward Dmytryk directs a taught stylish tale that, certainly for its time, dared to explore a topic rarely covered in Hollywood; anti-Semitism in the US. find out more...

This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C find out more...