At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...

For years Katalin kept quiet that she was raped and that her son Orban is the son of a rapist. When the secret leaks out she is ostracised by her village and dumped by her husband and now enigmatically she wanders the Carpathian Mountains, with Orban in tow. This moody revenge feature, shot over years by director Peter Strickland on a minimal budget, continually keeps you guessing as its plot and morality unfold.

Once you get over yourself and accept that that Welsh accent tumbling from Tom Hardy’s handsome pie hole is actually pretty spot on, you can buckle up and fly right alongside construction worker Ivan Locke (played by TH), as he navigates the s-bends of the sum parts of his existence, from the confines of his BMW X5, while in transit to his future one. Locke’s pathological wont to “do the right thing” drives the eerily tense and compelling narrative. The M6 is excellent find out more...

The death of a fellow guest in a hotel deep in the Sahara allows a world weary journalist, Nicholson, to switch identity. Gradually as he follows the trail of his new personality he discovers that the guy was no ordinary businessman but an international arms dealer. The movie, though, is less about plot than a haunting languid atmosphere which moves from the desert to London, Munich, Barcelona and the Catalan countryside. The best of Antonioni's three English-language pictures; this, Blow-Up find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...