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CertificationPG Our Rating

Part 1 of Wajda's trilogy of wartime films, the hopeful one, is set in Wola, a working-class area of Warsaw in 1942, and deals with the graduation of a bunch of semi-delinquent street kids, through individual acts of defiance and courage, into a youth resistance group. The heroism is not simple, neither loyalties nor self-sacrifice are assured, but united they will be. find out more...
CATCH-22 (1970)

Certification15 Our Rating

Adapted from the classic, absurdist, anti-war novel by Joseph Heller. "Catch-22" is the story of Yossarian, a pilot who trys to opt out of flying bombing missions by being declared insane, the catch being that anyone trying to avoid bombing missions by being insane must be sane. This dark classic catches much of the flavour of the book, the insanity, the corruption and the absurdity of war. Think MASH, but non-linear - flawed but awesome. find out more...

Certification15 Our Rating

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...


Certification15 Our Rating

In Kevin Brownlow and Andrew Mollo's brilliant and chilling re-write of history, Germany has won World War II and Nazi troops occupy England. Pauline, an apolitical nurse, hopes only that normal life will return to England. It is only after she accepts a nursing job with Nazis that she slowly begins to realize the horrifying reality behind the occupation. It Happened Here is a masterful, terrifying vision of what might have happened if the Allied effort had been in vain. find out more...
KANAL (1956)

Certification12 Our Rating

Part 2, and surely the greatest, of Wajda's trilogy describes the last days of the failed 1944 Warsaw uprising against the Nazis. The imagery of the sewers, to which the Polish fighters retreat, is superbly used to represent both their desperation and their new Soviet prison. Made in 1956 despite Stalinist censorship. find out more...

CertificationU Our Rating

An adaptation of the novella of the same title by celebrated French Resistance author Vercors, clandestinely written in 1942 during the Nazi occupation of France, which tells the story of a German officer billeted in the house of an elderly man and his niece. Resisting the intruder, the two refuse to speak to the German, who warms himself by the fire each evening espousing idealistic views about the relationship between France and Germany, views that disintegrate on a trip to Paris where the gri find out more...

Certification15 Our Rating


Certification15 Our Rating

A German woman on a ship coming back to Europe notices a face, of another woman, which brings recollections from the past. She confesses to her husband that she had been an overseer in Auschwitz during the war and that the woman had been an inmate, but perhaps her recollections have become confused with time. A study of guilt and retribution and the last film of talented Polish director Andrzej Munk who was tragically killed during the making of ‘Pasazerka'. It picked up Best Film at the Venice find out more...

CertificationPG Our Rating

One of Stanley Kubrick's earliest films, Paths of Glory is a seminal anti-war movie. Set during the First World War, the French general staff give the order for Colonel Dax (Douglas) and his men to attack a particularly well fortified German position. The order is little more than authorised suicide and when the remanants of Dax's men return, the high command, looking for something to distact from their murderous incompetence, decide to court-martial three of the surviving soldiers. The outra find out more...


Certification15 Our Rating

Set in the Sino-Japanese war, Yasuzo Masumura's black-and-white anti-war film tells of an army nurse who sexually services an amputee and falls in love with a drug-addicted surgeon. This can't be recommended to the squeamish, but neither can its nuanced eroticism nor its passionate, unpredictable moral focus, be easily shaken off. Comparable with Altman's MASH, it suggests a less comic treatment of the same theme, how to preserve one's humanity in impossible circumstances, but its ethics are con find out more...