Franz and Arthur team up with an innocent young girl, Odile, and decide to plan a heist, but as the trio cruise the bars and cafes of Paris hatching the perfect crime it becomes apparent, in their less than professional approach, that everything may not go as smoothly as at first hoped. The Outsiders is a tongue-in-cheek homage to early American pulp crime flicks, fast paced and free spirited, Godard's film retains much of its freshness and excitement. find out more...

Nothing more can be said about this classic melodrama from the peak of the Hollywood studio-film era. Hardened cynic Bogart softens when he meets old flame Bergman who is now a refugee in neutral wartime Casablanca. Together they outwit the Germans... and of course there's that famous song. Watch this classic or some day you'll regret it. Maybe not today, maybe not tomorrow... find out more...

Polanski has a go at the film noir detective thriller, very bleak, very twisted and very menacing it is to. Nicholson plays a private-eye in pre-war LA who is hired to pursue an adultery case, but finds himself embroiled in a complicated murder investigation. find out more...

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

All time classic wonderfully filmed by Wilder, featuring great performances from Holden, as a bankrupt screenwriter seeking refuge, and Swanson, a faded star in a crumbling mansion, who pins her hopeless hopes of a comeback on the writer. Deliriously dark and nightmarish masterpiece. find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...