1560, Peru. In a beautiful poetic opening scene the conquistadors cross an Andes pass, situated between the peaks and the valleys, between conquered land and unexplored forests, between 'heaven' and 'earth', shrouded in mists, they make their way down a narrow path. Aguirre's meglomania grows as around him his comrades mutiny and die in his search for the lost city of El Dorado. Herzog's best film, an unforgetable tour de force. Made before the director himself gave in to meglomania on a later t find out more...

Herzog's epic movie about a man's obsessive attempt to bring opera to the Indians living deep in the Peruvian jungle. To do this he must take a steamship/tub way up the Amazon river system, a monumental task, at one point involving transporting it over a not unconsiderable hill, with the help of a system of pulleys and massed Indian labour. A surreal comment on madness, power and vision. There is also a documentary, Burden of Dreams, about the notoriously fraught making of the film. find out more...

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Life is crazy. You're crazy, I'm crazy, we're all crazy. We're all a little bit Minnie, and a little bit Moskowitz. Sometimes it does seem best to be sensible...but then what might you be missing out on? You gotta be you. You don't have to park cars and semi-randomly yell at people, but you can't hide yourself behind a veil (or dark sunglasses) and pretend and act like ever find out more...

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A highly visual movie with three intersecting stories - one each from the past, present, and future - about a man in pursuit of eternal life. A conquistador in Mayan country searches for the tree of life, a medical researcher, working with tree sap, looks for a cure that will save his dying wife and, finally, a space traveller with an aged tree in a bubble moves toward a dying star that's wrapped in a nebula. find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...

This film, from the Thai experimental film-maker who calls himself Joe, was the Quentin Tarantino led jury's surprise selection for the 2004 Cannes Film Festival Prix du Jury. The film is of two halves, Tropical Malady and A Spirit's Path or, if more directly translated from Thai, Strange Creature and Spirit. find out more...