Himir lives at 101 Reykjavik and though fast approaching thirty he has yet to leave the comfort of his mothers home or indeed the ease of social security, but the arrival of his mother's lesbian lover and impending fatherhood are about to put a sizable spanner in his hopes for eternal slackerdom. 101 Reykjavik is a quirky and hipply hedonistic black comedy, driven along by some pretty twisted premises and a central character who is an irredeemable and apathetic git pretty much to the end. find out more...

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Finally! A popular 'indie' movie written and directed by a woman! This film shines with wit and warmth and brains, interesting people, beautiful dialogue and dark, dark humour. find out more...

Life is crazy. You're crazy, I'm crazy, we're all crazy. We're all a little bit Minnie, and a little bit Moskowitz. Sometimes it does seem best to be sensible...but then what might you be missing out on? You gotta be you. You don't have to park cars and semi-randomly yell at people, but you can't hide yourself behind a veil (or dark sunglasses) and pretend and act like ever find out more...

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Bizarre but brilliant mathematical mystery, shot in black & white and set to a nervy, industrial soundtrack. Max Cohen (Sean Gullette) is a bit of an oddball; either a misunderstood techno genius, or just the sort of weirdo who sits with his hood up at the back of the bus, depending on your tolerance levels. Living in a computer-filled slum in a world which, to his eyes, is no more than a series of numerical equations, Max stumbles across a seemingly meaningless 216 digit number. But when two si find out more...

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LA Confidential meets Short Cuts in Wim Wender's latest tour-de-force. Off film successful hard working Hollywood producer Mike Max, Pullman at his laconic best, meets guilt-ridden government defence scientist Ray, Byrne at his mogadonic worst, at a hi-tech conference, and the lives of both are radically altered. On screen, a murder attempt on Max fails the same day as his wife tells him she's dumping him, Ray spies on the world, and a young copper chases gorgeous wannabe Cat. Stylish, clever, b find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...