Brilliantly directed story about a psychotic Hollywood scriptwriter, who is suspected of murder but given a false alibi by his gorgeous neighbour. Bogart's character never lets up and you're never sure if he's guilty or not, and nor is his lovestruck neighbour. As the police close in, it develops into a beautifully tense psychological thriller, did he do it and will the girl stand by her man? Awesome, awesome, awesome!!! find out more...

Hitchcock's masterpiece. A news photographer is confined to his apartment by an injury and spends his days watching the neighbours. He comes to believe that he is witnessing the preparations for a murder. Based on the novel by Cornell Woolrich. Suspense, ambiguity and voyuerism; total brilliance! find out more...

A masterful adaptation of David Peace's Ellroy-esque noir trilogy. In '1974', the first chapter, a rookie journalist looks to solve the increasingly vexing case of a serial killer on the loose. A bleak vision of corruption in an emphatically isolated 'North', which raises the game for levels of darkness in TV drama. Andrew Garfield gives a captivating performance as the idealistic journalist in way over his head. Highly recommended. find out more...

The trilogy continues and life in West Riding becomes grimmer. Police corruption interferes with the search for a killer in Yorkshire, England. This time, Paddy Considine's Mancunian copper-with-a-heart-of-gold is brought in to head the inquiry into the unsolved murders. Like the journo before him, he finds resistance wherever he turns. Gripping stuff, based on David Peace's novel "Nineteen Eighty" find out more...

The grisly trilogy concludes in dramatic fashion. Mark Addy gives a sterling performance as a burned-out solicitor whose conscience won't let him give up. The seemingly untouchable, corrupt West Yorkshire police, and the true evil mastermind behind the child abductions and murders of the last 14 years are dragged into the light. Excellent British television. find out more...

This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C find out more...