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01 Dave B's must sees
The greatest movie ever made? A soldier is sent into the Heart of Darkness to retrieve a commander gone AWOL in an insane reality of tin-pot power, paranoia and inglorious killing. The horror of war is stripped naked in a surreal twilight world. The crew nearly went mad making it, Martin Sheen suffered a heart attack and Coppola flew so far beyond budget that the word 'bankrupt' was nearly redefined. See "Heart of Darkness"...
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APOCALYPSE NOW REDUX (1979)
Certification18 Our Rating
The definitive 'Apocalypse Now' (as if the original wasn't pretty definitive) this has nearly an hour of extra footage fleshing out the surreal journey of our central protagonists and, though it brings the film to a whisker short of three and a half hours, much of it explains what happens to the eclectic characters we meet. The cut version of 'Apocalypse Now' stands as one of the most awesome films of modern cinema, anyone who has seen it will inevitably see it again, it's just that now you have
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DON'T LOOK NOW (1973)
Certification15 Our Rating
A father is haunted by the death of his young child. Omens point to disaster and hallucinations predict the future as this wonderful atmospheric film moves to its disturbing climax. Shot in the beautiful city of Venice and based on the book by Daphne du Maurier.
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LORD OF THE RINGS THE FELLOWSHIP OF THE RING (EXT VERSION) (2001)
CertificationPG Our Rating
What can I say? The Fellowship of the Ring is all right if you like that kind of Sword and Sorcery thing? Small, cute whee people being chased hither and thither by all kinds of monstrous beasties. Acts of courage and heroism that would have comic book superheroes running for the hills (not that they'd be safe there....oh no!). Peter Jackson's film adaptation of Tolkien's epic trilogy of good versus evil in a fantastical world long past is just about as spot on as you can imagine it was possible
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THE IRON GIANT (1999)
CertificationU Our Rating
Iron Giant is based upon a story that Ted Hughes told his children following the death of their mother, Sylvia Plath. Set in 1958, it is a lyrical tale about a giant metal machine that falls from the sky and frightens a small town in Maine. A lonely boy, Hogarth, befriends the kind-hearted alien and, hiding the giant from his mother, teaches him to communicate. The greatest threat, however, comes from the military who are out to destroy this metallic threat to wholesome America. The animation
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