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CertificationPG Our Rating

A classic noir adaptation of a Chandler novel with Dick Powell as the hardboiled, wise-cracking, incorruptible Marlowe in a seedy, decadent LA of shifting loyalties, unseen evil, phoneys, criminals, old money and family skeletons. Superb dialogue and definitive noir camerawork. find out more...

Certification15 Our Rating

Philip Marlowe has two cases on his books and they may not be as unconnected as they seem. Giant-sized Moose Malloy is straight out of jail and looking for Velma, his chorus-line girlfriend. Marlowe takes sympathy on him and agrees to track her down but all he finds is a dead-end. Meanwhile, smooth gigolo Lindsay Marriott is eager to buy back a rare jade necklace from thieves and hires Marlowe as protection during the transaction. The neon-drenched, smoke-filled LA of 1941 forms the background f find out more...

CertificationPG Our Rating

After two years in an asylum Stephen Neale is released into the insanity that is WWII England, where he stumbles across a murderous spy ring and doesn't know whom he can trust. An atmospheric, expressionistic, war time thriller, packed with unforgettable scenes, starring Ray Milland and directed by the wilfully left-field genius that is Fritz Lang. find out more...

CertificationPG Our Rating

The original and best version of the detective thriller classic. Philip Marlowe is hired to investigate the gambling debts of a rich man's daughter, but is plunged into a twilight world of intrigue, blackmail and violence. Stylish and gripping. find out more...

CertificationPG Our Rating

Burt Lancaster makes his debut, in this adaptation of a short story by Ernest Hemingway, as Swede, a washed-up boxer who finds himself manipulated and double crossed thanks to the charms of femme fatale Ava Gardner. A definitively noir gangster film about an unusual contract killing that stands out thanks to Lancaster's performance as the lovesick palooka taken for a ride.

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Certification18 Our Rating

This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C find out more...