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No Image for AMERICAN BEAUTY
AMERICAN BEAUTY (1999)

Certification18 Our Rating

Lester Burnham (Spacy - giving a sublime performance) is a middle-aged suburbanite lost in a world he doesn't recognise anymore. His job has become meaningless, his wife has turned into a bitch-on-wheels and his rebellious daughter hates his guts. For Lester his only source of enjoyment seems to be choking the chicken in the shower each morning. His lonely existence begins to change, however, when he meets his daughter's friend, Angela and what starts as wishful thinking rapidly ends up with Les find out more...
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EDUCATING RITA (1983)

Certification15 Our Rating

Rita wants to be educated. She's a young working class girl who becomes involved with a cynical and alcoholic university tutor. A brilliant comedy of social attitudes and class differences, with more than a hint of romance. The film drew best ever performances from the two lead actors.

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LA LA LAND (2016)

Certification12 Our Rating

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LOST IN TRANSLATION (2003)

Certification15 Our Rating

Charlotte has joined her new husband in Tokyo, but what she had hoped would be an adventure for them both finds her marooned and alone. Staying in the same hotel is Bob, a jaded film star in the city to do a whiskey commercial, and it is only when the sleepless pair meet in the hotel bar that their depressed isolation begins to lift. Lost in Translation is remarkably simple in its conception, two people who would seem to have nothing in common, but who form a bond of affection and unspoken under find out more...
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THE APARTMENT (1960)

CertificationPG Our Rating

Lemmon is an ambitious young corporate executive who finds promotion comes his way most easily by lending out his flat for his superiors to pursue their extra-marital affaires. It all gets too much when a jilted Maclaine attempts suicide in his flat and he has to take the blame. A comedy classic. Won Best Picture at 1960 Academy Awards.

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WHO'S AFRAID OF VIRGINIA WOOLF? (1966)

Certification15 Our Rating

Burton and Taylor in a screen version of the kind of love-hate relationship which they were famous for in private, a kind of on-screen therapy. Taylor gives what is probably her finest performance as the blowsy harridan Martha, while Burton is not quite so hammy as usual as her angst-ridden college professor husband. The verbal fireworks that occur when they invite a young couple to dinner are surprisingly convincing. A must see classic. find out more...