Tati's first colour film, a contrast between the glorious awfulness of the Arpels' automated modernistic house and Hulot's chaotic Bohemianism. Insane gadgets slam and roar, and heels click like metronomes in this wonderfully observed comedy.
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YESTERDAY, TODAY AND TOMORROW (1963)
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Saucy sex trilogy which won the 1963 Oscar for best foreign film. La Loren plays three vastly different characters in three rib-tickling shorts; a permanently pregnant street trader, a spoiled but faithless wife, and a hooker who takes a vow of chastity to the disgust of her best customer.
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