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Certification15 Our Rating

A wonderfully serene and charming comedy, the third instalment of the saga of Antoine Doinel, in which he wanders into a job as a private investigator, and then falls hopelessly and unrealistically in love with a client's wife. Classically Truffaut, with a gentle, wandering narrative, fantastic cinematography (Paris the summer of 1968) and some very funny dialogue. A real corker. find out more...

CertificationE Our Rating

The collection opens with Len Lye's modernist abstraction ‘Tusalava’, which, heavily influenced by Maori and Aboriginal art, shares an interest in ‘primitive’ cultures that was typical of the Modernist movement of the time. It was almost refused a certificate by the puzzled British Board of Censors who suspected that the dancing abstract shapes might be about sex. Lye's own explanation was that it showed the beginnings of organic life. ‘Crossing the Great Sagrada’, is a lowbrow spoof on travel find out more...
CATCH-22 (1970)

Certification15 Our Rating

Adapted from the classic, absurdist, anti-war novel by Joseph Heller. "Catch-22" is the story of Yossarian, a pilot who trys to opt out of flying bombing missions by being declared insane, the catch being that anyone trying to avoid bombing missions by being insane must be sane. This dark classic catches much of the flavour of the book, the insanity, the corruption and the absurdity of war. Think MASH, but non-linear - flawed but awesome. find out more...

Certification15 Our Rating

Returning to themes he had touched upon in his earlier films Polanski develops the idea of Pinter's "two people in a room and then a third enters" with a couple on a remote island invaded by two on-the-run gangsters. Gradually the power positions shift... underlined with great black humour. find out more...
DAISIES (1966)

Certification15 Our Rating

The wonderful people over at Second Run DVD have released another hidden gem: 'Daisies' (Sedmikrasky), originally made in 1966 by Vera Chytilova, who has since been called 'the first lady of Czech cinema' and whose efforts also earnt her a screening at the First International Festival of Women's Films in New York in 1972. find out more...

CertificationPG Our Rating

This semi-autobiographical film, the fourth instalment in the saga of Antoine Doinel, concentrates on his early married life during which time he becomes a writer, a father and a philanderer. A humourous and ironic account of a failing middle-class marriage, a subject that Truffaut obviously knew rather well. find out more...

CertificationPG Our Rating

A psychotic American commander worried about the subversive effects of water fluoridisation on his "vital bodily fluids" starts off an attack on the Soviet Union. No-one can stop the fighters and no-one, as yet, knows about the failsafe Doomsday Machine. Brilliant black comedy. find out more...
IF .... (1968)

Certification15 Our Rating

The 1960s and tradition is teetering on the edge, a group of minor public school boys can't hack it any more and rebellion brews. Discovering a cache of automatic weapons, they revolt bloodily against the establishment around them, from the rooftop they engage in a firefight with the teachers and other students, who are armed with the Army Cadet training rifles. A classic of the English cinema... rise up all teens. find out more...

Certification12 Our Rating

In Fellini's sardonically humorous, yet powerfully dramatic, 'Il Bidone' three small-time crooks impersonate priests in Rome to con poor people out of their money. Broderick Crawford is extraordinary as the group's world-weary leader whose chance meeting with his own daughter opens his eyes to his wrongdoing. Too late, he suffers a crisis of conscience in this absorbing tale of hope, desperation and tragedy. find out more...