Bud Corliss, a handsome college boy is so obsessed with wealth that he'll do anything to get it. When his rich girlfriend Dorothy gets pregnant and is threatened with disinheritance, Bud stages her suicide, sending her plummeting from the roof of a high-rise. It's the perfect crime; until Dorothy's sister Ellen begins to unravel Bud's deadly scheme. A classic ‘hommefatale', that's still tense and creepy over half a century after its original release. find out more...

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

Lang's first sound film, and perhaps his most imaginative. The plot concerns the police search for a Berlin child-molester. The underworld is forced to look amongst its own for the perpetrator. Lang draws fascinating parallels between police and criminals in this radical masterpiece. find out more...

Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour. find out more...

Do you really need to be told about this film? The Bates' Motel, the shower sequence and, of course, Mother! THE Hitchcock movie! find out more...

Convinced that he is an anachronism aging horror film star Orlok announces his retirement. Meanwhile an apparently average young man goes on a shooting spree, eventually showing up at a drive-in theatre where Orlok is making his final personal appearance. find out more...

With 13 women murdered, Boston is held under seige by a madman. One by one they fall, each death more gruesome than the last. The actual murders that rocked Boston in the 60s are the gripping subject of this unforgettable police thriller. 'The Boston Strangler' is one of the most powerful films in its genre, with possibly Tony Curtis' finest performance. find out more...

One of the first horror movies, about a hypnotist who uses a somnambulist to do his murders, and a landmark in the history of cinema. The dark shadows, crazy angles and doom laden atmosphere of German Expressionism and the film's extraordinary use of painted light have rarely been copied, and its influence, on film noir in particular, is indisputable. find out more...

When the desperate, obese Martha meets handsome Ray, who leeches off rich widows, she falls madly in love and teams up with him as he scours the lonely hearts clubs, but her jealousy is to lead to murder and betrayal. A bleak, unsentimental thriller loosely based on the real-life 'lonely hearts killers' Martha Beck and Ray Fernandez. find out more...

Hitchcock's third feature is basically a variation on the Jack the Ripper story adapted from a novel by Anne Belloc Lowndes. A serial killer is on the loose in London, singling out blonde haired chorus girls and, as the hunt for him hots up, a stranger turns up seeking lodgings at the Bunter family's house. Mysterious he certainly is, but is he the murderer? Menacingly effective camera work, but lighter in tone than his later thrillers. Especially interesting is the way the younger Hitchcock is find out more...