Perhaps the most influential period in cinema history was the Italian neo-realism period of the late 40s and director Vittorio De Sica was one of the prime reasons for this important period of film-making. "The Bicycle Thieves" is a film about a poor man whose only means for a job is his bicycle, which gets stolen. The film follows him and his young boy throughout war-ravaged Rome in search of the stolen bike. The trip involves some of the most brilliant vignettes in film history; the church, th
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BONNIE AND CLYDE (1967)
Certification15 Our Rating
An all time classic 60s movie glamourising the real life story of the Barrow gang who terrorised the American South in the early 30s. 'Reclaiming the American gangster movie, after it had been stolen by the Nouvelle Vague, Penn's film was so successful (and so imitated) that it inevitably met with some grudging devaluation. But it's still great, half comic fairytale, half brutal fact, it reflects the essential ambiguity of its heroes by treading a no man's land suspended between reality and fant
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RIFIFI (1955)
Certification12 Our Rating
Four men set in motion a heist of incredible audacity, a robbery where the level of risk is only matched by the protagonists' meticulous precision, but though the thieves are consummate professionals once the job is done their emotions and animosities begin to threaten the rewards of their hard work. Rififi is renowned for its tense half hour long heist scene in which not a word is ever uttered, and acknowledged as one of the classic examples of French film noir.
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THE KILLING (1956)
CertificationPG Our Rating
Johnny Clay has the perfect plan, to steal 2 million from a racetrack in a scheme which is as close to perfection as a robbery can be. There is just one thing Johnny hasn't reckoned on, Sherry Peatty, one mother of a femme fatale with no discernable moral compunction and a determination to make the money hers that is so strong....Johnny and his band of hardened criminals may not survive. The Killing is an early Stanley Kubrick film (in the days when a studio could still tell him what they wanted
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