Michael Anderson had the bright idea of collecting hundreds of stars together way before Robert Altman thought of it and here they all are, in glorious technicolour. Niven is suberb, as always, as the impeccable Fogg who, for a wager, tries to circumnavigate the globe in 80 days! Hop on a sailing railroad across The West! Be attacked by fierce prairie Indians! Rescue a Princess in India! Sail a burning Atlantic paddle-wheeler! Fight bulls in Spain! Romp through Paris! Won Best Picture at 1956 Ac
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BATTLESHIP POTEMKIN (1925)
CertificationPG Our Rating
Mind those steps! Perhaps the most famous movie scene in the history of cinema. The documentary style story of mutiny aboard the Potemkin as the sailors fight oppression and fire on Tzarist troops attempting to quell rebellion in the city of Oddessa. Almost every shot is so beautiful it could work as a still.
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CAPTAIN BLOOD (1935)
CertificationPG Our Rating
Errol Flynn, in his starring debut, plays a doctor wrongly condemed to prison who escapes and leads his fellow prisoners to a life of piracey. He then goes onto form the 'Brotherhood of Buccaneers' to fight the villainous James II.
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HOW THE WEST WAS WON (1962)
CertificationPG Our Rating
Shot in five sections "How The West Was Won" is a sprawling multi-star epic following the fortunes of one family from 1839 and New York to 1889 and Arizona. 'The Rivers' (dir Henry Hathaway); the Prescotts head west down the Ohio river. 'The Plains' (dir Henry Hathaway); Lily moves to St Louis and on to Caifornia. 'The Civil War' (dir John Ford); Linus and Zeb enlist on the Union side. 'The Railroad' (dir George Marshall); the settlers multiply and cavalry officer Zeb finds himself in a war with
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LORD JIM (1965)
CertificationPG Our Rating
Brooks's adaptation of Conrad's novel, the story of an idealistic young naval officer who is discharged for cowardice and tries to redeem himself by taking some explosives into the unmapped jungles of Sumatra, where he is captured and tortured by a feudal war lord. O'Toole's Jim and Mason's Gentleman Brown discussing the age of the world and the price of evil while sat on a raft in the middle of a fog-bound river is a classic scene, and Freddie Young's photography does for the Asian jungles what
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MOBY DICK (1956)
CertificationPG Our Rating
Melville's wild and brilliant gothic tale is electrically adapted by John Huston. Peck's performance, as Ahab with his gradual descent into madness, make a powerful centrepiece, whilst the deliberate sepia feel, the narration, and the fine supporting cast (including Orson Welles) all add depth.
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MUTINY ON THE BOUNTY (1935)
CertificationPG Our Rating
The first, and many would argue the best, of Hollywood's interpretations of the infamous mutiny aboard HMS Bounty in the South Pacific in 1789, an historic battle of wills between Fletcher Christian and Captain Bligh. This version virtually deserts Christian after the mutiny, concentrating on Bligh's amazing 4,000 mile open boat voyage and the subsequent court-martial.
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RIVER OF NO RETURN (1954)
CertificationU Our Rating
Saloon singer Monroe, violence prone farmer Mitchum and the young son he hardly knows, drift down-river by raft from both immediate dangers and their immediate pasts. They must try the impossible, to restart their broken lives and return to being an ideal family. Mitchum's performance is excellent, but the film holds most interest as an early Monroe performance. There really is no return. A tale of betrayal, revenge and love in the wild Wild West.
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THE AFRICAN QUEEN (1951)
CertificationU Our Rating
The John Huston classic about the prim missionary lady forced to team up with a drunken ne'er-do-well for a dangerous journey when the war comes to their remote bit of Africa. Their trying odyssey downriver, of course, gradually sees the two incompatibles falling in love, with the as always detached Bogart finally discovering commitment and attacking a German gunboat.
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THE SEA HAWK (1940)
CertificationU Our Rating
The heart-pounding tone of Michael Curtiz's classic swashbuckling adventure is established moments after the opening credits, when 16th Century British pirate captain Geoffrey Thorpe leads a raid on the galleon of a Spanish ambassador. After the chaotic clash is over, Thorpe's men have captured the ambassador and learning that the Spanish are planning to wage war against England, our hero rushes home to warn Queen Elizabeth. It's back in England that Thorpe discovers the royal court is easily as
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