An all time classic 60s movie glamourising the real life story of the Barrow gang who terrorised the American South in the early 30s. 'Reclaiming the American gangster movie, after it had been stolen by the Nouvelle Vague, Penn's film was so successful (and so imitated) that it inevitably met with some grudging devaluation. But it's still great, half comic fairytale, half brutal fact, it reflects the essential ambiguity of its heroes by treading a no man's land suspended between reality and fant
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BULLET FOR THE GENERAL (1966)
Certification18 Our Rating
The first and best of the Italian "Mexi-Westerns", on a par with Leone's and with a haunting soundtrack. An American mercenary teams up with a bandit on the fringes of the revolutionaries in order to assinate their leader. A violent political film from the same pen as The Battle Of Algiers.
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HIGH SIERRA (1941)
Certification15 Our Rating
High Sierra follows a failed robber broken out of prison by an old associate, who takes part in a failed robbery in which a man is killed, and makes a getaway into the Sierra mountains for a final doomed stand.
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HIGH SIERRA / TREASURE OF SIERRA MADRE (1941)
CertificationPG Our Rating
Two classic Bogart films for the price of one! High Sierra follows a failed robber broken out of prison by an old associate, who takes part in a failed robbery in which a man is killed, and makes a getaway into the Sierra mountains for a final doomed stand. Treasure of the Sierra Madre; 'Gold does funny things to a man's soul'. That's the issue tackled by this seminal movie about the pursuit of money and its effect on the brotherhood of man. Bogart plays the down-and-out Dobbs who hooks up with
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LE CERCLE ROUGE (1970)
CertificationPG Our Rating
Melville's masterful take on the American crime thriller perfectly combines the Hollywood gangster film with his uniquely French style. Alain Delon as a master thief, Yves Montand as an alcoholic ex-cop and Gian-Maria Volonte as an escaped criminal plot a daring heist of an upmarket Parisian jewellery store against impossible odds.
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RIFIFI (1955)
Certification12 Our Rating
Four men set in motion a heist of incredible audacity, a robbery where the level of risk is only matched by the protagonists' meticulous precision, but though the thieves are consummate professionals once the job is done their emotions and animosities begin to threaten the rewards of their hard work. Rififi is renowned for its tense half hour long heist scene in which not a word is ever uttered, and acknowledged as one of the classic examples of French film noir.
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THE ASPHALT JUNGLE (1950)
CertificationPG Our Rating
The classic heist movie, adapted from WR Burnett's novel. A tense, satisfyingly objective study of a gang of hardened villains who fall apart after attempting an ambitious robbery. Sounds familiar? Much imitated but never equalled, this is one of the late John Huston's finest accomplishments.
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THE PUBLIC ENEMY (1931)
CertificationPG Our Rating
Cagney's original gangster performance, he plays Powers, a big time mobster on the up and up. The film's impact derives from its acknowledgement of crime as partly due to poor social conditions, rather than the product of evil individuals. Cagney's role installed him as the definitive gangster hero.
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THIEVES' HIGHWAY (1949)
Certification12 Our Rating
Former G.I. Nick Garcos (Richard Conte) is a tyro trucker bent on extracting revenge from the man responsible for crippling his father: ruthless market operator Mike Figlia (Lee J. Cobb). Along the way he is seduced by siren Rica (Valentina Cortesa) and drawn into the San Francisco produce racket, embroiling him in a web of treachery and heartbreak. A classic, gritty, tough as nails union drama…great.
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TOUCHEZ PAS AU GRISBI (1954)
Certification15 Our Rating
Having pulled off the heist of a lifetime, Max looks forward to spending his remaining days relaxing with his beautiful young girlfriend. But when Riton, Max's hapless partner and best friend, lets word of the loot slip to loose-lipped, two-timing Josy, he is reluctantly drawn back into the underworld. A touchstone of the gangster-film genre, 'Touchez Pas Au Grisbi' is understated, elegant and evocative.
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