Taking man's inhumanity to man as its central theme, 'Au Hasard Balthazar' traces the life of a donkey, christened Balthazar by a group of young children, from birth to death. Balthazar's story begins on a small farm in a rural district of France. Throughout his life he is owned by many of the locals, returning to some of them more than once, and is set various tasks, from drawing a carriage to performing in a circus, turning a grindstone to acting as a smuggler's means of transport. Some owners
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DON GIOVANNI ACT 1 (1979)
Certification12 Our Rating
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DON GIOVANNI ACT 2 ()
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FRANCESCO GIULLARE DI DIO (1950)
CertificationPG Our Rating
A beautiful and elegantly simple film about the life and works of Francesco Di Assisi, founder of a religious order that expressed Christianity in a form devoid of materialism but rich in compassion; a faith that the orthodox church, by the time of Francesco's birth in the late 12th century, had long dispensed with. Neorealistic in style and obviously close to Rossellini's heart, this is now acknowledged as one of his greatest masterpieces.
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IL BIDONE (1955)
Certification12 Our Rating
In Fellini's sardonically humorous, yet powerfully dramatic, 'Il Bidone' three small-time crooks impersonate priests in Rome to con poor people out of their money. Broderick Crawford is extraordinary as the group's world-weary leader whose chance meeting with his own daughter opens his eyes to his wrongdoing. Too late, he suffers a crisis of conscience in this absorbing tale of hope, desperation and tragedy.
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JOURNAL D'UN CURE DE CAMPAGNE (1950)
CertificationPG Our Rating
A new priest arrives in the French country village of Ambricourt to attend to his first parish, but the apathetic and hostile rural congregation reject him immediately. Through his diary entries, the physically sick young man relays a crisis of faith that threatens not only to drive him away from the village, but also from God. With this, his fourth film, Bresson began to implement a stylistic philosophy in his film making, stripping away all inessential elements from his compositions, the dialo
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LA VOIE LACTEE (1969)
Certification15 Our Rating
Less accesible Bunuel, but still interesting and witty. We follow two vagrants on their pilgrimage to Spain. Along the way they meet various biblical characters, slip through a time-warp amongst other bizarre digressions. Sometimes the symbolism is a little obvious, but the humour saves it.
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LEON MORIN, PRETRE (1961)
CertificationPG Our Rating
Barny is a young widow, she is also a militant communist and atheist who one day enters a church, and randomly picks a priest to taunt. Leon Morin is a Catholic priest: he is also young, handsome and unconventional in his religious approach. The two begin a platonic relationship, but soon Barny's admiration for Morin turns to desire and he becomes the object of her romantic obsession...
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MAHAPURUSH (1965)
CertificationU Our Rating
Since the death of his wife Gurupada has been going through a state of deep mental unrest. On his way back from Benaras he encounters Birinchi, a Babaji who claims to be ageless, and Gurtupada becomes his disciple.
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MOTHER JOAN OF THE ANGELS (1961)
CertificationPG Our Rating
In the 17th Century a group of nuns claimed to be possessed by the devil with Joan, the convent head, leading the possession stakes with at least 8 demons on her slate. An innocent young priest, the latest in a long line sent to investigate, is going to have to go to hell and back to save her soul. Chronologically the film acts as a sequel to Ken Russell's 1971 shocker 'The Devils', and if you've seen that you'll know what a lying bitch Joan is. Superb black and white photography gives an expres
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