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Certification15 Our Rating

Bud Corliss, a handsome college boy is so obsessed with wealth that he'll do anything to get it. When his rich girlfriend Dorothy gets pregnant and is threatened with disinheritance, Bud stages her suicide, sending her plummeting from the roof of a high-rise. It's the perfect crime; until Dorothy's sister Ellen begins to unravel Bud's deadly scheme. A classic ‘hommefatale', that's still tense and creepy over half a century after its original release. find out more...

CertificationPG Our Rating

When Cary Grant discovers a corpse in the window seat of his quaint old maiden aunts, and realises thay are cold blooded murderers, the scene is set for all out farce. Add the appearence of his long lost brother with another victim to dispose of and you've a madcap, brilliant, comedy. find out more...

CertificationU Our Rating

The best film in the history of comic British cinema. A black tale of sex, adultery, murder and social class told with low key irony. Alec Guinness plays all the leading roles, and the delightfully witty and sardonic script is ideal for him. A landmark of British film. find out more...
M' (1931)

Certificationpg Our Rating

Lang's first sound film, and perhaps his most imaginative. The plot concerns the police search for a Berlin child-molester. The underworld is forced to look amongst its own for the perpetrator. Lang draws fascinating parallels between police and criminals in this radical masterpiece. find out more...

CertificationPG Our Rating

This blistering little black comedy was well ahead of its time when released in 1947. Originally, Orson Welles had wanted Chaplin to star in his drama about a French mass murderer, but Chaplin was hesitant to act for another director and used the idea himself. He plays a dapper gent named Henri Verdoux (who assumes a number of identities), a civilised monster who marries wealthy women, then murders them. A dark Chaplin gem. find out more...

Certification18 Our Rating

Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour. find out more...
PSYCHO (1960)

Certification15 Our Rating

Do you really need to be told about this film? The Bates' Motel, the shower sequence and, of course, Mother! THE Hitchcock movie! find out more...

Certification12 Our Rating

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...

TARGETS (1967)

Certification12 Our Rating

Convinced that he is an anachronism aging horror film star Orlok announces his retirement. Meanwhile an apparently average young man goes on a shooting spree, eventually showing up at a drive-in theatre where Orlok is making his final personal appearance. find out more...

Certification18 Our Rating

With 13 women murdered, Boston is held under seige by a madman. One by one they fall, each death more gruesome than the last. The actual murders that rocked Boston in the 60s are the gripping subject of this unforgettable police thriller. 'The Boston Strangler' is one of the most powerful films in its genre, with possibly Tony Curtis' finest performance. find out more...