Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour.
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SWEENEY TODD THE DEMON BARBER OF FLEET STREET (2007)
Certification18 Our Rating
Tim Burton brings Stephen Sondheim's musical prodigy to the big screen and as you'd expect he does a beautiful and atmospheric job of it. Both Depp and Carter revel in the opportunity given to them and the tale has a gloriously dark, gruesomely humourous tone, which brings me on to my own personal issues… the modern musical; much of the the of dialogue in Sweeney Todd is sung and there is just so much lilting 'mockney' cockney I can take. I can accept this is hugely entertaining film, it's just
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THE CARS THAT ATE PARIS (1974)
Certification15 Our Rating
Director Weir started an illustrious career with this bizarre and apocalyptic tale of a small outback town that lures passing drivers, cannibalises their cars and uses the survivors for strange medical experiments by the town doc. Mad, witty, surreal..superb!
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