Elem Klimov's powerful, mesmerising and dynamic award winning feature has been deservedly hailed as one of the greatest war films ever produced.
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EL TOPO (1971)
Certification18 Our Rating
The highly eccentric and totally brilliant Alexandro Jodorowsky doesn't make films like anybody else. Directed, written by and starring the man himself "El Topo" is a violent, surreal, quasi-religious Western, if that makes sense (which like the film it doesn't). AJ plays the nomadic lone gunslinger of the title, mostly shooting people for the first half, before being reincarnated as the comedian-cum-holyman protector of a community of deformed outcasts. No doubt some would attempt to read all s
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ELEPHANT (2003)
Certification15 Our Rating
Gus Van Sant's take on the shooting at Columbine High School is a masterpiece. Using a cast of unprofessional actors, he has created a unique and highly affecting film, rich in atmosphere and style. The non-linear narrative follows the experiences of the key characters, giving a different perspective of events in the short time frame (most of the events shown in the film take place in about an hour). While the tension in the film obviously comes from the impending violence, the film's strongest
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IF .... (1968)
Certification15 Our Rating
The 1960s and tradition is teetering on the edge, a group of minor public school boys can't hack it any more and rebellion brews. Discovering a cache of automatic weapons, they revolt bloodily against the establishment around them, from the rooftop they engage in a firefight with the teachers and other students, who are armed with the Army Cadet training rifles. A classic of the English cinema... rise up all teens.
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LA HAINE (1996)
Certification15 Our Rating
Tense and engaging account of contemporary Parisian street life. The recriminations against the notorious police for an injured friend are realised by a documentary style of film making with voyeuristic undertones. Violently realistic and bitter drama. Excellent soundtrack.
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LAST DAYS (2005)
Certification15 Our Rating
Gus Van Sant's latest masterpiece is very much in a similar vein to his previous two films (Elephant and Gerry). Meditative, ambivalent and beautifully shot, Last Days is a loose retelling of the Kurt Cobain suicide. The dialogue is made up of mumbled non sequiturs and directionless enquiries. The cinematography, as in Elephant, is a mixture of pristine framing, expert use of natural light and patient static observation. Though the pace of the movie is arguably too testing for some viewers, the
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MATEWAN (1987)
Certification15 Our Rating
Set during the 1920s in West Virginia, Matewan is a small mining town whose workers have responded with a strike to the coal company's announcement of a wage cut. The bosses reply to this act of defiance but bringing black and Italian workers to take over their jobs. A lone stranger (a Union organiser) arrives in town to unite the locals against the tooled-up heavies and, as the tension escalates, a violent end to the standoff seems inevitable. Sayles' powerful gripping movie never compromises i
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NIKITA (1990)
Certification18 Our Rating
Nikita is a junkie who murders a cop during a robbery and is caught. Faced with the option of a death sentence or life as a secret-service hitwoman, she becomes a ruthless killer executing without remorse or feeling, until she falls in love, that is. A stylish, dynamite and brilliant film.
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