A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the second version re-edited by Ridley Scott; all the good bits remain, with the onl find out more...

A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the originally released version with no unicorns in a dream, a voiceover to keep y find out more...

A man writes and loves in darkness. Fourteen years ago he was in a car crash where he lost not only his sight but also Lena, the love of his life. He had two names; Harry Caine, a pseudonym with which he still signs his written works, and Mateo Blanco, his real name, with which he signed the film he directed. After the accident, the only way Harry could cope with not being able to make films was to imagine that Mateo died along with his beloved Lena. One night, in conversation with his friend an find out more...

A father is haunted by the death of his young child. Omens point to disaster and hallucinations predict the future as this wonderful atmospheric film moves to its disturbing climax. Shot in the beautiful city of Venice and based on the book by Daphne du Maurier.

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Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

Tobe is a teenage girl in a dysfunctional American family, but one that appears both realistically normal and deeply embedded in suburbia. This is the landscape of Spielberg, but the family, inadequate father, rebellious daughter and quasi-autistic stepson, seems alienated and distant from the world around it. Into this milieu drifts Harlan, a young man whose roots are at least partially fantasised, part cowboy part movie cliche, and whose reality remains unclear. The pair embark on a romance th find out more...

An American-German returns to the FDR in 1945 to work as a waiter on a new train, the previous one having been derailed but finds the changes superficial and the new consumerism cloaks sinister unbroken threads from the past. Haunting and hypnotic, literally. An art-house must-see.

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An excellent black comedy, handsome thriller and a tall story that keeps you guessing as it unwinds. The genuinely ridiculous plot (a man pays a couple of goons to 'pretend' to kidnap his wife in order to get his paws on his in-laws' 'ransom' money) is completely credible as mighty plans fall apart, spiralling ever more beyond the protagonist's control and leaving us marvelling at the complex stupidity of human nature. A modern classic.

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Life seems perfect for Georges and Anne, a bourgeois Parisian couple who live in a comfortable home with their adolescent son, Pierrot. But when an anonymous videotape turns up on their doorstep, showing their house under surveillance from across the street, their harmony begins to disintegrate. A growing sense of guilt begins to rise in Georges as he recalls his less-than-angelic childhood and soon their happy home is an emotional battleground. find out more...

For years Katalin kept quiet that she was raped and that her son Orban is the son of a rapist. When the secret leaks out she is ostracised by her village and dumped by her husband and now enigmatically she wanders the Carpathian Mountains, with Orban in tow. This moody revenge feature, shot over years by director Peter Strickland on a minimal budget, continually keeps you guessing as its plot and morality unfold.

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