A grim and harrowing account of the daily life of a serial killer. If you can stomach the violence, it is well worth watching. The main criticism is that things are seen only from one point of view, which can be limiting. Now available uncut.
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PEEPING TOM (1959)
Certification18 Our Rating
Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour.
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SANTA SANGRE (1990)
Certification18 Our Rating
Eat your heart out David Lynch! This movie has it all - sex, mutilation, religion, obsession, revenge and a circus which makes Archaos look like a branch of the Young Conservatives. The plot defies description, suffice to say it is perversely funny, grotesquely bizarre and definitely not family viewing.
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THE CABINET OF DR CALIGARI (1919)
CertificationU Our Rating
One of the first horror movies, about a hypnotist who uses a somnambulist to do his murders, and a landmark in the history of cinema. The dark shadows, crazy angles and doom laden atmosphere of German Expressionism and the film's extraordinary use of painted light have rarely been copied, and its influence, on film noir in particular, is indisputable.
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THE HONEYMOON KILLERS (1969)
Certification18 Our Rating
When the desperate, obese Martha meets handsome Ray, who leeches off rich widows, she falls madly in love and teams up with him as he scours the lonely hearts clubs, but her jealousy is to lead to murder and betrayal. A bleak, unsentimental thriller loosely based on the real-life 'lonely hearts killers' Martha Beck and Ray Fernandez.
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THE VANISHING (DUTCH) (1988)
Certification15 Our Rating
On holiday in France Rex and Saskia stop at a garage, she walks to the shops and disappears. Three years later Rex starts receiving postcards from her abductor promising to reveal her fate. Reminiscent of Blue Velvet, the understated direction creates a sinister and shocking atmosphere.
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