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CertificationPG Our Rating

A brilliant reworking of Alice in Wonderland by surrealist Czech filmaker Jan Svankmajer. Alice, the only human in the film, falls into a terrifying Wonderland populated by animated puppets and full of truily bizarre visuals; she changes size, becomes her own doll, when the White Rabbit loses his stuffing he simply secures his gaping chest with a safety-pin and eats the sawdust, eggs crack to reveal skulls, rolls sprout nails, steaks crawl..... but the very best scene is definitely the tea party find out more...

CertificationPG Our Rating

In the main this is a fantastical, perilous ocean odyssey by one bright, resilient young man and a fearsome Bengali tiger named Richard Parker. Ang Lee’s visually gorgeous adaptation of find out more...


CertificationU Our Rating

The final part of the trilogy based on the 3,500 year old Indian narrative telling the story of mankind and its near destruction by the feuding Pandavas and Kauravas. Brook has condensed his critically acclaimed stage production to create a rich vibrant and riotously colourful movie. find out more...

CertificationU Our Rating

The first two parts of the trilogy based on the 3,500 year old Indian narrative telling the story of mankind and its near destruction by the feuding Pandavas and Kauravas. Brook has condensed his critically acclaimed stage production to create a rich vibrant and riotously colourful movie. find out more...
ORLANDO (1992)

CertificationPG Our Rating

A truly remarkable adaptation of Woolf's novel. Tilda Swanton is enthralling as the androgenous and ageless Orlando seeking love in a 400 year odyssey; from the finery of Elizabeth the First's court, through the Civil War, the early colonial period, the literary salons of 1750, by which time Orlando is a woman, the Victorian era of property, and finally to the present day. Potter's direction adds a marvellous period feel. Superb, this is a magical story . find out more...

Certification15 Our Rating

Michael Cohn's gothic adaptation of the Grimm Brothers' tale just never gets grim enough, it has to be said, due mainly to the unnecessarily ponderous first hour, during which not a great deal happens. It all looks authentically menacing though, and things do eventually hot up when Sigourney Weaver's splendidly sinister and sexy witch is finally allowed to let rip and totally steal the show from a disappointingly lacklustre Snow White. find out more...

Certification12 Our Rating

Will and Jake Grimm travel the land collecting and imparting magical tales to the villages they visit, but their real money spinner is the age old con, creating elaborate scenarios whereby they rid the locals of various imagined demons of the night. This being the 19th Century and a Terry Gilliam film it is inevitable that the two are eventually confronted by the dark tales of fear and superstition that they weave. When Will and Jake arrive at one particular village they find the folk under the find out more...