Currently Selected:
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Art House
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Film Noir
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Literary Classics
CertificationPG
Our Rating
Visconti's stunning feature debut transposes The Postman Always Rings Twice to the endless, empty lowlands of the Po Delta. There, an itinerant labourer (Girotti) stumbles into a tatty roadside trattoria and an emotional quagmire. Seduced by Calamai, he disposes of her fat, doltish husband (De Landa), and the familiar Cain litany - lust, greed, murder, recrimination - begins. 'Ossessione' is often described as the harbinger of neo-realism, but the pictorial beauty is pure Visconti, while the ble
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