BRITAIN IN THE 20S (HISTORY OF AVANT-GARDE) (1920)
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The collection opens with Len Lye's modernist abstraction ‘Tusalava’, which, heavily influenced by Maori and Aboriginal art, shares an interest in ‘primitive’ cultures that was typical of the Modernist movement of the time. It was almost refused a certificate by the puzzled British Board of Censors who suspected that the dancing abstract shapes might be about sex. Lye's own explanation was that it showed the beginnings of organic life.
‘Crossing the Great Sagrada’, is a lowbrow spoof on travel
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BRITAIN IN THE 30S (HISTORY OF AVANT-GARDE) (1930)
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Award wining documentary ‘Song of Ceylon’, is a lyrical beauty, but owes its enduring charm to its anachronistic notions of Empire and Englishness.
‘Bread’ is a slice of realism that looks at hunger in Britain.
‘Beyond This Open Road’ shows the urban populace journeying into the countryside during their weekends away from work; the imagery and utopian aesthetic are reminiscent of the work of Leni Riefenstahl. ‘Coal Face’ is an experiment in realism that focuses on the importance of coal mini
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LE PLAISIR (1951)
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Adapted from three stories by Maupassant. 'Le Masque' describes how an old man wears a mask of youth at a dance hall to extend his youthful memories. 'La Maison Tellier', the longest episode, deals with a day's outing for the ladies from a brothel and a brief romance. In 'Le Modéle' the model in question jumps from a window for love of an artist, who then marries her. These three on old age, purity and marriage are shot with a supreme elegance and sympathy and the central tale in particular luxu
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MELIES THE MAGICIAN - THE MAGIC OF MELIES (1997)
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A truly excellent documentary regarding the groundbreaking work of Georges Melies who (along with the Lumiere Brothers) provided early cinema with some of its most memorable images. Hollywood contempories like Spielberg and that arse George Lucas are on hand to throw in their two cents, but the film is really about the obsessive nature of a director who played the parts of writer, special effects creator, hand-tinter, backdrop artist, costumier and probably caterer too. A true visionary. The DVD
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WHEN A WOMAN ASCENDS THE STAIRS (1960)
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When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour, a delicate, devastating study of a woman, Keiko, played heartbreakingly by Hideko Takamine, who works as a bar hostess in Tokyo's very modern post-war Ginza district. Sly, resourceful, but trapped, Keiko comes to embody the conflicts and struggles of a woman trying to establish her independence in a male-dominated society. A profoundly moving masterpiece.
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