Cross-dressing club-kid Eddie vies with a rival drag-queen for the favours of drug-dealing cabaret-manager Gonda in this unflinching and often brutal portrayal of Japanese gay subculture. Matsumoto achieves a line between pathos and hilarity that makes Funeral Parade of Roses utterly unique; a feverish collision of avant-garde aesthetics and grind-house shocks (not to mention a direct influence on Stanley Kubrick's A Clockwork Orange). In addition this psychedelic era film is a gay play on the O find out more...

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In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with, chooses Ascilto. Only a sudden earthquake saves Encolpio from suicide. We follow Encolpio through a series of adventures, where he is eventually reunited with Ascilto, and which culminates in them helping a man kidnap a hermaphrodite demi-god from a temple. The god dies, and as punishment Encolpio becomes imp find out more...

Jean Genet's only film (later disowned by Genet), Un chant d'amour (1950) was banned from public exhibition in France upon its initial release, and has won only sporadic screenings since, often in censored form. It is semi-pornographic, featuring full-frontal male nudes playing with their hard-ons, and fetishistic close-ups of sweaty feet, armpits and thighs. Tough watching it is but its influence can be found in most of the more stylised examples of gay culture everywhere, from perfume adverts find out more...

When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour, a delicate, devastating study of a woman, Keiko, played heartbreakingly by Hideko Takamine, who works as a bar hostess in Tokyo's very modern post-war Ginza district. Sly, resourceful, but trapped, Keiko comes to embody the conflicts and struggles of a woman trying to establish her independence in a male-dominated society. A profoundly moving masterpiece. find out more...