An acclaimed and gloriously visual epic that follows the life of Avik, a young half-Eskimo boy, in his search for love and identity. It takes him across continents, through the hell of war, and into a painful reunion with Aubertine, his childhood sweet-heart. Moving, beautiful and superbly filmed.
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RED ANGEL (1966)
Certification15 Our Rating
Set in the Sino-Japanese war, Yasuzo Masumura's black-and-white anti-war film tells of an army nurse who sexually services an amputee and falls in love with a drug-addicted surgeon. This can't be recommended to the squeamish, but neither can its nuanced eroticism nor its passionate, unpredictable moral focus, be easily shaken off. Comparable with Altman's MASH, it suggests a less comic treatment of the same theme, how to preserve one's humanity in impossible circumstances, but its ethics are con
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SLAUGHTERHOUSE-FIVE (1972)
Certification18 Our Rating
The film version of Kurt Vonnegut Jr's famous anti-war sci-fi novel. Slipping back and forth along his own life line a suburban optometrist experiences the fire bombing of Dresden and captivity on the planet Trafalmardore. A powerful and seemingly unfilmable book that turned out to be a great movie.
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THE LIFE AND DEATH OF COLONEL BLIMP (1943)
CertificationPG Our Rating
Based on David Low's cartoon character, Major General Clive Wynne-Candy, VC, we back-track over his life, drawing us into sympathy with the prime virtues of honour and chivalry which have transformed him from dashing young spark of the 1890s into crusty old buffer of World War II. Roger Livesey gives us not just a great performance, but a man's whole life, losing his only love (Deborah Kerr) to the German officer (Walbrook) with whom he fought a duel in pre-WWI Berlin, then becoming the latter's
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