Peter Yates' Oscar-winner is a heart-warming coming-of-age story that has also taken its place as the greatest sports movie about cycling ever made. Four friends graduate from high-school and find themselves looking at an uncertain future in small-town America. Dave's passion is cycling and his dream is to be a world-class champion like the Italians he idolises. His passion for cycling takes on new meaning when he and his friends face a team from the local college in the town's annual bike ra find out more...

The collection opens with Len Lye's modernist abstraction ‘Tusalava’, which, heavily influenced by Maori and Aboriginal art, shares an interest in ‘primitive’ cultures that was typical of the Modernist movement of the time. It was almost refused a certificate by the puzzled British Board of Censors who suspected that the dancing abstract shapes might be about sex. Lye's own explanation was that it showed the beginnings of organic life. ‘Crossing the Great Sagrada’, is a lowbrow spoof on travel find out more...

 

Movie Mole says: Hugo allows an adult audience to experience the sheer childlike joy of solving a mystery, of keeping of a great big secret and, most importantly, of seeing a film for the very first time; the movie is filled to the brim wi find out more...

A stunning portrayal of innocent and erotic obsession based on Wede-kind's 'Lulu' plays. Lulu's guilelessly provocative sexuality leads her from a gaggle of Berlin lovers and admirers, a lesbian countess, a newspaper editor, the latter's son, etc, to a squalid garret in London, where she finds her Thanatos in the shape of Jack the Ripper. Louise Brooks's legendary performance and Pabst's brilliantly acute direction both remain enthralling. Haunting and unforgettable, a superbly atmospheric film. find out more...

A huge influence on the New Wave and Italian Neorealist movements, ‘People on a Sunday' offers us a rare glimpse at what life was like for ordinary Berliners between the First and Second World Wars. The film tells the story of four young people enjoying a lazy Sunday by a lake in Berlin. Emotions such as love, flirtation, desire and jealousy are all played out in a milieu of youthful discovery.

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Hitchcock's third feature is basically a variation on the Jack the Ripper story adapted from a novel by Anne Belloc Lowndes. A serial killer is on the loose in London, singling out blonde haired chorus girls and, as the hunt for him hots up, a stranger turns up seeking lodgings at the Bunter family's house. Mysterious he certainly is, but is he the murderer? Menacingly effective camera work, but lighter in tone than his later thrillers. Especially interesting is the way the younger Hitchcock is find out more...