A supernatural, fantastical tale of love found in the sleezy and glitzy streets of central Paris. 'Angel–A' is quintessential Luc Besson, ie little in the way of story, but my, the cinematography from Thierry Arbogast does look absolutely stunning.
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BLADE RUNNER (DIRECTOR'S CUT) (1982)
Certification15 Our Rating
A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the second version re-edited by Ridley Scott; all the good bits remain, with the onl
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DR STRANGELOVE (1963)
CertificationPG Our Rating
A psychotic American commander worried about the subversive effects of water fluoridisation on his "vital bodily fluids" starts off an attack on the Soviet Union. No-one can stop the fighters and no-one, as yet, knows about the failsafe Doomsday Machine. Brilliant black comedy.
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DROWNING BY NUMBERS (2007)
Certification15 Our Rating
Three generations of women, all named Cissy Coalpitt, drown their husbands and then have to deal with a leacherous coroner whose silence is bought in return for sexual favours. A complex web of interlocking references to games, sex and mortality, famous last words, Samson and Delilah, Breughel, circumcision et al. A very black and bawdy comedy, highly recommended for lovers of the off-beat.
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NAKED (1993)
Certification18 Our Rating
David Thewlis delivers an incredible performance as the clever and sarcastic Johnny. On the run from reality he turns up at his old girlfriend's house in London, where he proceeds to cause havoc. An inspired mix of script and improvisation with masterful direction, Leigh has taken a dark and inward look at life on Britain's bottom rung. Superb.
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SIN CITY (2005)
Certification18 Our Rating
Marv is a lunkhead of incredible strength, an aggressive power he puts to merciless use when his one true love is murdered. Hartigan is the embittered, but moralistic cop who's sworn to protect a stripper and Dwight is the lover of Shellie and the inadvertent dark angel of Gail's Old Town girls, a feisty group of hookers. These are just a selection of the random characters in Rodriguez's adaptation of Frank Miller's Sin City graphic novels and it's difficult to decide which of the two is the bi
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