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GILDA (1946)

CertificationPG Our Rating

Ford plays a sexually ambiguous and misogynist drifter who gets adopted by a German casino owner in Buenos Aires only to get involved in a menage-a-trois with his wife. Never has the fear of the female been so intense as in this powerful piece of cinema. Hayworth is sizzling as the temptress.

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CertificationU Our Rating

Mona’s teenage life defines the word ‘crap’, not tragic, just without hope; her brother is the only family she has left and he’s found God in the same obsessively sociopathic way that he originally found booze, while a weekly hump in the back of a van with a married man actually constitutes fun rather than repetitive sexual abuse. Into this world wanders Tamsin, pretty, pretentious, spoilt but ignored and with a dangerous sense of mischief born of arrogance and naivety. An intense relationship b find out more...
ORLANDO (1992)

CertificationPG Our Rating

A truly remarkable adaptation of Woolf's novel. Tilda Swanton is enthralling as the androgenous and ageless Orlando seeking love in a 400 year odyssey; from the finery of Elizabeth the First's court, through the Civil War, the early colonial period, the literary salons of 1750, by which time Orlando is a woman, the Victorian era of property, and finally to the present day. Potter's direction adds a marvellous period feel. Superb, this is a magical story . find out more...

CertificationPG Our Rating

All time classic wonderfully filmed by Wilder, featuring great performances from Holden, as a bankrupt screenwriter seeking refuge, and Swanson, a faded star in a crumbling mansion, who pins her hopeless hopes of a comeback on the writer. Deliriously dark and nightmarish masterpiece. find out more...