Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
This movie is about as good as it gets from John Hughes. The plot revolves around the rather farsighted premise (this is 1983, folks!) that a young high school punk hacks into the national defence network (the old internet) and starts off a global nuclear incident. As Cold War paranoia abounds him and his girlfriend have to convince a disbelieving US military that it's all a big mistake. Sounds all a bit hokey, I know, but where the film lifts itself above the normal teen trite Hughes has bee find out more...
