Harris plays a 19th Century English aristocrat who is captured by the Sioux Indians and integrated into their culture. Strong on period detail, the film contains the now famous scenes of the Sun Row initiation sequence.
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AROUND THE WORLD IN 80 DAYS (1956)
CertificationU Our Rating
Michael Anderson had the bright idea of collecting hundreds of stars together way before Robert Altman thought of it and here they all are, in glorious technicolour. Niven is suberb, as always, as the impeccable Fogg who, for a wager, tries to circumnavigate the globe in 80 days! Hop on a sailing railroad across The West! Be attacked by fierce prairie Indians! Rescue a Princess in India! Sail a burning Atlantic paddle-wheeler! Fight bulls in Spain! Romp through Paris! Won Best Picture at 1956 Ac
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BEND OF THE RIVER (1952)
CertificationPG Our Rating
The second of the terrific Stewart/Mann Westerns is characteristic of their pairings: adult themes played out against prairie vistas in which betrayal and violence can erupt at any time. Formerly a vicious Missouri raider, Stewart now leads an Oregon bound wagon train that, having brushed aside ineffective Native American resistance to the invasion, becomes embroiled in a conflict over resources between farmers (decent folk) and miners (womanising, drinking, thieving, scumbags). Welcome to Middl
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DODGE CITY (1939)
CertificationPG Our Rating
Michael Curtiz's epic Western 'Dodge City' stars Errol Flynn as Wade Hatton, a wagon master turned sheriff who tames the cow town at the end of the railroad. Flynn brings his trademark swash buckling charisma to the role of the justice-seeking sheriff, and Olivia de Havilland is both tough and lovely as Hatton's ally and inevitable love interest. The film also features one of the liveliest bar room brawls in cinematic history.
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JOHNNY GUITAR (1954)
CertificationPG Our Rating
Way ahead of its time, this is a Western with a difference! There's gun-totting women (including the brilliant Joan Crawford) fighting over the men that they love and leading the men into action. Then there's the anaemic looking Sterling Hayden as the male lead in this classic that tramples stereotypes with a memorable result! The 'Lie to me...' speech is guaranteed to give you chills.
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JOURNEY TO THE CENTER OF THE EARTH (1959)
CertificationU Our Rating
Based on Jules Verne's fantasy adventure we follow Professor Lindenbrook and his motley posse into the bowls of the earth where they discover a land that time forgot (or something very similar). Very bad baddies, huge ravenous lizards, and giant mushrooms are just a taster of the goodies on offer. There's also a bit of effective sexual symbolism, in typical Hollywood style, which greatly enhances the syrupy romantic subplot. Excellent and with the added bonus of the late, great James Mason.
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KHARTOUM (1966)
CertificationPG Our Rating
English General Charles George Gordon, a devout Christian, is appointed military governor of Anglo-Egyptian Sudan by Prime Minister Gladstone. Ordered to evacuate Egyptians from the Sudan, General Gordon stays on to protect the people of Khartoum, who are under threat of being conquered by Mohammed Ahmed el Mahdi, "the Expected One," the head of the Muslim forces. An out-and-out action spectacle sealed with stunning cinematography.
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LORD JIM (1965)
CertificationPG Our Rating
Brooks's adaptation of Conrad's novel, the story of an idealistic young naval officer who is discharged for cowardice and tries to redeem himself by taking some explosives into the unmapped jungles of Sumatra, where he is captured and tortured by a feudal war lord. O'Toole's Jim and Mason's Gentleman Brown discussing the age of the world and the price of evil while sat on a raft in the middle of a fog-bound river is a classic scene, and Freddie Young's photography does for the Asian jungles what
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MOBY DICK (1956)
CertificationPG Our Rating
Melville's wild and brilliant gothic tale is electrically adapted by John Huston. Peck's performance, as Ahab with his gradual descent into madness, make a powerful centrepiece, whilst the deliberate sepia feel, the narration, and the fine supporting cast (including Orson Welles) all add depth.
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RIDE THE HIGH COUNTRY (1962)
CertificationPG Our Rating
An ex-lawman agrees to escort a shipment of gold cross-country, but runs into trouble when the men hired to help him turn out to lack the same moral backbone as their boss, and plot to steal the gold. A typically classy and visceral western from the master of the genre. Sam Peckinpah.
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