Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

Set in Johannesburg (more than a welcome change to the usual formulaic Hollywood paradigm whereby LA or New York are not only the backdrop for disaster but act too as the centre-point of planet Earth), An ominous mothership hovers above Johannesburg containing an alien race of insectoid refugees. Derogatively referred to as 'Prawns' by humans they are cordoned off in an apartheid-esque fashion and forced to live a desolate and slum-like existence in the titular District 9. While forcibly relocat find out more...

 

Morgan Spurlock, the man responsible for the 2004 documentary 'Super Size Me', here turns his satirical, but increasingly irony free, eye on another of society's most ubiquitous evils: advertising, and specifically the phenomenon o find out more...

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Thor is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela.

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