An award winning film full of baroque splendour. The talented composer Antonio Salieri found himself in competition with Mozart, a genius, and he couldn't understand why God favored such a vulgar creature to be his instrument. Salieri turned into a hate-filled monster, whose aim in life became to ruin his colleague, but he emerges as a tragic and sympathetic character. He alone could appreciate the perfection of Mozart's music and, perhaps, he speaks up for all of us whose talents fall short of
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BOUND FOR GLORY (1976)
CertificationPG Our Rating
A gilded bio of the legendary balladeer, Woody Gutherie, and his hobo existence in 1930s depression-hit America. Beautifully shot and, as you would expect, with an amazing score, Bound For Glory is a loving recreation of Gutherie as an American icon, the people's poet bringing light and hope to the down trodden masses; a gentle, elegiac film far removed from director Hal Ashby's previous work.
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COPYING BEETHOVEN (2006)
Certification12 Our Rating
A fictionalized version of the last three years of Beethoven's life, beginning with the composition of the Ninth Symphony. Set in 1824 Beethoven is finishing his new symphony, but plagued by deafness, loneliness and personal trauma he struggles to cope. A new copyist, Anna Holtz (Diane Kruger) is engaged to help prepare the score for the first performance, but Beethoven's erratic behaviour proves to be more of a challenge than transcribing the score. Although, at times, dangerously close to paro
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DE-LOVELY (2004)
Certification12 Our Rating
Kline and Judd combine well in this delightful homage to the life and times of Cole and Linda Porter, man and wife, composer and muse, a couple who led a life of glamour and indulged eccentricity. There's no shortage of the man's music, which is unfortunately sometimes murdered by using a series of unsuitable singers; "It's De-Lovely" by Robbie Williams, "Let's Do It (Let's Fall In Love)" by Alanis Morissette, "Begin The Beguine" by Sheryl Crow, "Let's Misbehave" by Elvis Costello, "Be a Clown"
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DELIUS - SONG OF SUMMER (1968)
CertificationPG Our Rating
Based on Eric Fenby's 1936 memoir 'Delius As I Knew Him', we follow the last five years of the composer, by now blind, paralysed, embittered and at war with the world, as Fenby helps him formulate into music the compositions he still has whirling around his mind. 'Delius - Song of Summer' is a powerful and moving story.
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ELGAR (1962)
CertificationU Our Rating
The BFI continues its successful strand of Archive Television releases with Ken Russell's classic documentary Elgar, which was first shown in 1962 as the 100th programme in the BBC's Monitor series. This partly dramatised account of the life of composer Sir Edward Elgar includes footage of Elgar at the Three Choirs Festival and a recording of the opening of Abbey Road Studios when 'Land Of Hope And Glory' was played.
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EROICA (2003)
CertificationE Our Rating
By the time the first public performance of Beethoven's Symphony No. 3 (Eroica) took place in Vienna in 1805, a privileged few had already heard the work at a private play-through at the Lobkowitz Palace. Nick Dear's award-winning period drama, starring Ian Hart as Beethoven, brings to intense life the momentous event that prompted Haydn to remark 'everything is different from today'.
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IMMORTAL BELOVED (2007)
Certification15 Our Rating
The title refers to the legatee of Ludwig Van's worldly goods, and the film is a kind of musical detective story that explores the life and loves of Beethoven, who may have been the 'immortal beloved'. Exhilarating musical set-pieces from the Violin Concerto and the Eroica, amongst others, score persuasive points for classical music.
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MAHLER (1990)
Certification15 Our Rating
A biopic expressed by a series of tableaux interpreting Mahler's music with Powell suitably impressive as the composer and Georgina Hale excellent as his wife - on its most serious level the film is about her stifled creativity. Despite the low budget Russell has produced his best work in a long time.
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TESTIMONY (1988)
CertificationE Our Rating
An award-winning and arty biopic, adapted from his memoirs, of the great composer Dmitri Shostakovich, focusing on the period between the 30s and 60s and his deeply ambivalent relationship with Stalin. Worthy and with a resonant cinematic understanding of Shostakovich's opuses.
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