An American metropolis is afflicted by a plague of blindness and the stricken are quarantined by jack-booted soldiers and, amongst gruesome levels of degradation, turn, ‘Lord of the Flies'-style, to savagery. One seeing/immune person must lead others out of the hellish quarantine station to the world outside... a world that has collapsed.
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COMING HOME (1978)
Certification18 Our Rating
A rather over-sentimentalised romantic drama about the wife of a war-hero who falls in love with a paraplegic 'Nam vet. The drama is underplayed, and cliched in places, and Jane Fonda, despite a sterling attempt, comes across as just a bit too saintly. The ending adds credibilty though.
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OPEN HEARTS (2002)
Certification15 Our Rating
Marie and Niels are happily married with three young children; their life would seem to personify contentment. Cecilie and Joachim are just about to begin the path Marie and Niels are already walking, but something happens that none of them could have foreseen or indeed thought possible and the lives of all four begin to unravel. 'Open Hearts' is an incredibly powerful and moving film, uncompromising and unflinchingly honest about the fickleness of love it can't help but stir the soul (or at the
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RED ANGEL (1966)
Certification15 Our Rating
Set in the Sino-Japanese war, Yasuzo Masumura's black-and-white anti-war film tells of an army nurse who sexually services an amputee and falls in love with a drug-addicted surgeon. This can't be recommended to the squeamish, but neither can its nuanced eroticism nor its passionate, unpredictable moral focus, be easily shaken off. Comparable with Altman's MASH, it suggests a less comic treatment of the same theme, how to preserve one's humanity in impossible circumstances, but its ethics are con
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