A father is haunted by the death of his young child. Omens point to disaster and hallucinations predict the future as this wonderful atmospheric film moves to its disturbing climax. Shot in the beautiful city of Venice and based on the book by Daphne du Maurier.

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Jack Nicholson is astonishing as the drifter trying to escape from his well-to-do background. He has created a new life of drinking, manual labour and womanising, but is called back to his father's deathbed, where a chance meeting means making a tough choice. Brilliantly moody and evocative drama. find out more...

Yes it's our boy Grant again in an early remake of an even earlier film "The Front Page". When reluctant divorcee Grant is told that his ex-wife intends to quit his newspaper and re-marry, he gets her to work on one last story in a desperate attempt to win her back. Will he succeed? Hmm. Top stuff. find out more...

Undoubtedly one of Hitch's best. An innocent businessman is mistaken for a spy by enemy agents and learns the true meaning of persecution, while a deceptively beautiful blonde in the pay of his tormentors steals his heart. A tense and compulsively gripping nice-guy's nightmare. Obligatory viewing. find out more...

Hitchcock's masterpiece. A news photographer is confined to his apartment by an injury and spends his days watching the neighbours. He comes to believe that he is witnessing the preparations for a murder. Based on the novel by Cornell Woolrich. Suspense, ambiguity and voyuerism; total brilliance! find out more...

One of the great sixties films, the one that brought Dustin Hoffman to public notice, as he plays an alienated Los Angelian rich kid searching for a meaning in life and discovering sex. Great movie to be watched, or rewatched, and with a superb soundtrack by Simon and Garfunkel. find out more...

Laughton's only stab at directing, with Mitchum giving a stunning performance as the psychopathic preacher who, whilst in jail for a minor offence, hatches a devious plan to get his hands on the loot stashed by his condemned cell-mate. Set in '30s rural America, the film polarises into a struggle between good and evil for the souls of innocent children. Laughton's deliberately old-fashioned direction throws up a startling array of images: an amalgam of Mark Twain-like exteriors (idyllic riversid find out more...