A film dominated by one performance, Forest Whitaker's turn as the infamous dictator Idi Amin. When young Scotsman Nicholas Garrigan becomes his personal physician few of us doubt that it will inevitably end in tears, but Amin, as is so often the way with monsters, has considerable charm to go with his paranoid genocidal tendencies and the naïve Garrigan is seduced. However Garrigan's role is ambiguous; is he just dumb or is he willingly looking the other way? The film also reverses the typical
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THE LETTER (1940)
CertificationU Our Rating
A superbly crafted melodrama, even if it never manages to top the moody montage with which it opens - moon scudding behind clouds, rubber dripping from a tree, coolies dozing in the compound, a startled cockatoo - as a shot rings out, a man staggers out onto the verandah, and Davis follows to empty her gun grimly into his body. The contrivance evident in Maugham's play during the investigation and trial that follow is kept firmly at bay by Wyler's technical expertise and terrific performances, n
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