Hiro is a something of a tech kid prodigy but, having just showcased the merits of micro bots, finds someone else has decided to use them for evil. With the help of an unlikely big white health robot called Baymax and a bunch of enjoyably quirky sidekicks, Hiro takes on the forces of evil in an effort to save the day. A fun film with some good gags, great robots and swell animation.
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Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
A strange, beautiful film. We watch mother and son as they go about their peculiar daily routine, and we see a dead child in the ocean. It's unnerving and, somehow, everything seems eerily sexual, too. Then we are invited to go underwater where we get a closer look at the strange story science and earth have to tell. There are only mothers and sons in this coastal town. There is routine and control - but who is in control and what happens if someone starts to ask que find out more...
A 'Leatherface' type murderer who wears other people's faces, kills at an all-night horror-thon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes it's really Lanyard Gates, a crazed film maker who killed his family live on stage fifteen years ago. And now he's back to kill his daughter, Sara, who is believed to really be Maggie.
Superlative horror that blends great diy special effects, cinephilia and frights with aplomb. AN find out more...
