A double helping of transmogrification with two classic versions of Robert Louis Stevenson's tale of science run amok, in which an ambitious doctor's experiments on himself turn him into a raving homicidal beast. The 1932 expressionistic spine-tingler, which influenced generations of creature-features, with a more obvious Freudian interpretation of the doctor's schizophrenia is the better of the two. The 1941 star-studded epic helmed by the legendary Victor Fleming (‘Gone with the Wind' and ‘The
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FRANKENSTEIN (1931) (1931)
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The classic version of Frankenstein, often imitated but its stunning style has rarely been bettered. For the unfamiliar, Frankenstein tells the story of a maverick doctor's attempts to create life from the body parts of the deceased. His creation (Frankenstein's Monster...) is the tragic embodiment of goodness. More human than those around him, the monster finds himself needing friendship more and more, before embarking on a doomed relationship with a small girl who takes pity on him. Needless t
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