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Certification15 Our Rating

Episode 17: Cutbacks. Liz is willing to do anything to avoid cutbacks at T.G.S., while Jack is forced to fire his personal assistant and hire Kenneth as his part-time assistant.
Episode 18: Jackie Jormp-Jomp. Jack tries to turn an accidental obituary for Jenna into a marketing opportunity for her Janis Joplin-based biopic. Meanwhile Liz makes friends with a group of single women while away from work for sexual harassment.
Episode 19: The Ones. Jack has second thoughts about marrying find out more...


CertificationPG Our Rating

The king is dead, long live the king. Television has dominated the public's homes for many decades but a few radio shows have survived the visual onslaught. When new owners take over an ailing station one of their first acts is to draw to a close a much loved, but ailing, veteran variety music show. A touching, often witty, series of reminisciences that utilise a cracking cast. Robert Altman's final film may not be up there with his greats but it's still a delightfully understated ensemble piece find out more...

Certification15 Our Rating


Certification15 Our Rating

Eight-year-old Zachary has, so far, enjoyed life as his father's favourite son, as the possessor of a gift for healing and as younger sibling to a tearaway, a jock and a bookworm, but this relatively idyllic childhood in Québec is cast under the shadow of his dad's suspicions when he is discovered wearing a dress. Seven years on it's 1975 and Zac is in thrall to Ziggy Stardust and his cousin's boyfriend, a confusing situation for him, made more complicated by a history of trying to satisfy his d find out more...

Certification15 Our Rating

Nick Porter sells salesmanship for a living, but the days of being on top of his game are long gone, thanks in no part to his ever losing battle with alcohol. Finally fired and discovering his wife has also decided it’s all over on the same day, Nick finds himself on his front lawn with all that is left of is worldly belongings. An adaptation of a Raymond Carver short story, don’t expect an archetypal Will Ferrell movie, this a bitter sweet drama...with some humour. A low key, thoughtful and tou find out more...

Certification15 Our Rating

A strange, beautiful film. We watch mother and son as they go about their peculiar daily routine, and we see a dead child in the ocean. It's unnerving and, somehow, everything seems eerily sexual, too. Then we are invited to go underwater where we get a closer look at the strange story science and earth have to tell. There are only mothers and sons in this coastal town. There is routine and control - but who is in control and what happens if someone starts to ask que find out more...


Certification15 Our Rating

It’s 1961 in Greenwich Village and Llewyn Davis is at a crossroads. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles, some of them of his own making. A beautifully made, bitter sweet homage to the iconoclastic folk movement of 1960’s America.

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Certification18 Our Rating

Carmen is a terrorist who falls in love with a young cop guarding a bank that she and her gang try to rob. She leads him on, the pair of them legging it to her film-maker uncle's beach pad, while dragging the two of them closer to their ultimate doom. Carmen runs around naked a lot, string quartets play Beethoven, uncle (Godard himself) can't get his film act together and the romance fizzles out. As for you Bizet fans out there, make of it what you will, but 'Carmen' is in there, albeit in a con find out more...

Certification15 Our Rating

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...


CertificationPG Our Rating

Through a series of original, surrealist sketches, director Roy Andersson observes with empathy and wry humour the highs, lows and tragicomic happenings that effect the everyday lives of an eclectic assortment of eccentric characters. Shot with highly distinctive visual flair, comprising over forty vignettes filmed with a static camera, this original and resonant snapshot of modern life manages to be not only thought provoking and touching but also agonisingly funny. find out more...